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Great Dragon ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Group: Members Posts: 6,748 Joined: 5-July 02 Member No.: 2,935 ![]() |
Can you all hear me? Good. Today I will go over the thaumaturgical symbolism inherent in ritual circles of varying complexity. Please pay attention to the illustrations transmitted to your commlink.
The most basic ritual circle is a simple line. It constitutes the most primitive embodiment of the ritual space, a seperation of the within from the without, one world from the next, the magician from the forces outside that may do her harm, and the forces that may harm the magician from the world at large. It is both binding and protective, depending on the need of the magician. The center of the circle is the only point within it, occupied either by the magician or the focus of the ritual. In the case of a binding circle, the center is the null point, farthest from the edge that defines the difference between here and there. Notice in this illustration haw the basic circle is embellished with a few designating characters: a symbol representing the magician, symbols relavent to the ritual itself, and balancing elements in the form of a written incantation along the outer edge. Now consider the circle of the second degree. Here, the ritual space is divided into two parts, representing complementary energies or forces. In this circle, the magician stands between, the fulcrum of the different energies, one foot in both worlds. Different cultures develop this as yin and yang, night and day, phsyical and astral. In all contexts, the magician is the bridging entity between the two worlds, a symbol for the magician herself. This neoteric Babylonian-style hermetic circle displays symbols of Ahriman and Ahzura Mazda, and you may clearly see the magician's footprints in the sand between them. Even if a magician professes a preference or patron from one force or the other, each would be incomplete without the balancing force that the other represents. This dichtomy is the essential difference between circles of the first and second degree. See here now a circle containing a triangle along three points. Representative of circles of the third degree, triangles are common elements in magic circles due to their mathematical properties, and the mystic symbolism that derives from their history and use. Please refer to the Pythagorean Triangle hyperlink in your e-text. The third degree is often represented as a balanced triad of some sort. Observe this illustration, the ancient toad's foot-mark of the Weisse, which was made popular a century ago as a "peace" symbol. Inf act, the toad's foot is a potent sigil of protection and magical workings. The fourth degree varies considerably, but as can be seen in the next illustration, circles containing squares or crosses are popular. Hermetics prefer the square as the balanced representative of the four classical elements: air and earth, fire and water; theurgists prefer associating with the cardinal directions and the appropriate archangels. Observe here as the houngan stands at the center of a self-constructed crossroads, focusing the power at the center, acting again as the fulcrum for the magical energies he is gathering. The fifth degree is almost universally marked by the pentalph, or pentagram; less often by the more pleasing geometric pentagon. Pythagorean magican-mathematicians have published expansive essays on the subject and importance of the pentalph to Hermetic theory; I suggest you look into some of the earlier research by Dr. Miles Swineburne on the subject. Observe here the wu jen, like the Hermetic magician before her, centered in a cricle with five symbolic representations of elements - wood, earth, metal, fire, and water. Again, the key to building and maintaining the forces is proper balance of energies and influences by symbolic manipulation. The Hexen marks the sixth degree, a star-shape created by the intersection of two triangles, a powerful protective symbol and quite popular among both the Weisse and Hebraic faiths. A magnificent ceramic tile representation from the synogogue of Bel'Shilam in New Brunswick can be observed here. Note the reinforcing lines of Hebrew along the lines. Few of you will be able to create, much less see a circle of the seventh degree, but if you do, the graduate program in this university makes the most use of the following seven-pointed star. Here, Hermetic symbolism often gives way to numerology. A specific example employed by our own Dr. Owens can be observed in the following illustration. The Eighth degree is rarer, although the eight-sided compass rose created by two intersecting squares is popular. Here again, the symbolism is the crossroads, the fulcrum and the balance as the magician maintains the balance of mana across the barrier. There is no illustration of a ritual circle of the ninth degree, I'm afraid, although those of you who persue the post-graduate course should consult Prof. ben Fahid on the astrological symbolism one can obtain using the ancient alchemical symbols for the planets in our solar system. That concludes todays lecture, please review chapters 14 and 15 for Thursday. Until then. |
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Lo-Fi Version | Time is now: 12th August 2025 - 01:07 PM |
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