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> Types of music in Shadowrun
pbangarth
post Jun 25 2007, 06:33 PM
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What about music composed by artificial intelligences? You could argue that their creations would be the first new form of music since Hip Hop.

What form such music would take is something we humans may not actually be able to predict.
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Solomon Greene
post Jun 25 2007, 06:49 PM
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What purpose would a machine have in crafting music? Why would an AI wish to create music at all?

And we can guess what form it would take - mathematically precise, deep in theory, dead in soul.
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Kagetenshi
post Jun 25 2007, 07:59 PM
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:rotfl:

~J
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Kyoto Kid
post Jun 25 2007, 08:43 PM
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QUOTE (Euphonium)
So in 206x, I would expect all the 205x stuff to be looked down on (Jet Black, the Shadows, Dark Angel, Shield Wall etc)...

...nah, it will all be turned into MUZAK that you will hear while waiting for your suborbital flight at SeaTac.
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pbangarth
post Jun 25 2007, 09:02 PM
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QUOTE (Solomon Greene @ Jun 25 2007, 02:49 PM)
What purpose would a machine have in crafting music?  Why would an AI wish to create music at all?

And we can guess what form it would take - mathematically precise, deep in theory, dead in soul.

That's the way computers are now.

But what will happen when that "tipping point" is reached, and the intelligence in the machine changes and becomes self-aware? How do you know it won't develop something we would call a soul?

Isn't that what happened to our distant, animal ancestors? They hungered... then one day they yearned.
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Adarael
post Jun 25 2007, 09:48 PM
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While Concrete Dreams may have lost some of its lustre, I always though Shield Wall would outlast their temporal fame. I also liked what was written about them a lot more. Kinda like The Smiths versus Depeche Mode. Concrete Dreams' side projects were embarassing, from what I recall. Not so for Shield Wall.
Anyway...

Trace Dump: Though many would argue that this style was pioneered by DeeCee artist Wavefront, the style only gained mainstream credibility following the success of artists such as Uh4.17, 8th Winter, Tetsu Arashi, and Lotus. Like most descendants of the glitch genre, trace dump is characterized by circuit-bent electronics, home-assembled preamps and effects, and a heavy use of sampled sounds. What sets trace dump apart is the use of random WiFi datastreams parsed through the 'dump' - a piece of either software or hardware that maps packets (based on size, time sent, and content) to a set of drum noises. Usually these noises are snippets of audio data likewise captured from a wifi heavy setting. In this regard, trace dump could be seen as almost entirely made of 'found sound', and performances tend to be shaped and altered by the wifi activity of the audience.
Calling cards: dissonant, grating, harsh, alien.
Popular with: deckers, intellectual edgeculture members, disaffected but literate citizens.
Bands: 8th Winter, Uh4.17, Lotus, Tetsu Arashi
Real-world inspiration for GMs: Bitcrush, Gridlock, Tarmvred, Converter

Upshot: The latest in a long string of youth-culture genres, upshot is the current world's response to the recent tragedies of Crash 2.0, the rise of corporate militarism, and a sense of uncertainty about the future. While in the past many punk-based genres would dwell upon the hopelessness of life and leave it to the listener to draw the conclusion to live fast and die young, upshot musicians often explicitly state their feelings on the matter. The message is simple: life sucks, but we're still alive, and we'll fight to stay that way. Popular among the young, poor and disposessed, upshot has yet to see much commercial success - but like the myriad subgenres of punk and rock over the past century, it's only a matter of time. Stylistically, upshot artists tend toward forceful and evocative yet simple lyrics, relying on their own vocal power to overshadow simple musical arrangements. While many who are not fans of the style would call the musical arrangements crude and the sound 'typical' of the culture it represents, adherents insist that an uplifting message to those who have lost hope is greatly needed.
Calling cards: simple, evocative, thrashy, community-centric.
Popular with: the down-and-out, punks, the poor, ork & troll communities, local thugs.
Bands: Subculture Sublimation, Clenched Fist, Tunguska
Real-world inspiration for GMs: Michael Graves era Misfits, "It's Not a Fashion Statement, It's a Deathwish" by My Chemical Romance (simply for instrumentation), Muse

More to come later.
Also, in defense of 'old music remaining popular', in some cases it's just dated. In others, however, the roots hold true. Look at certain trends that stay constant. Nick Cave's cover of "Black Betty" doesn't strike me as any more dated or 'unhip' than the original Alan Lomax recording in the 1933 (and earlier roots in the 19th century). Similarly, you can examine the soul and funk influences in GZA's highly modern Legend of the Liquid Sword and see that the form may have changed, but the general stylings remain the same. And how far has the apple of Portishead fallen from the 30s torch singer tree?

I tend to figure that while there ARE fully new forms in 2070, you can trace the roots back much farther. Especially given the prevalence of late 2050s 'new agey' fusion/elven music that seems to follow the easy listening/Loreena McKennit model of reinventing much older styles.
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Lindt
post Jun 25 2007, 09:57 PM
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While we are on that subject. What year did Shield Wall release their 'big album'? The one big D gave money to?
And ahh... concrete dreams, quiet possibly the worst adventure ever. Also the only published one I have played in. Fucking vampires.

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Euphonium
post Jun 25 2007, 10:33 PM
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QUOTE (Lindt)
And ahh... concrete dreams, quiet possibly the worst adventure ever.  Also the only published one I have played in.  Fucking vampires.

A published run involving Concrete Dreams? Which one was that - I'm missing it :eek:
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Adarael
post Jun 25 2007, 10:40 PM
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The adventure was "Mercurial" (In Concert at Underworld 93). Never played it. Maria Mercurial was friends with the CD crew and was occasionally a guest musician for them.

I believe Shield Wall's "Mother of the Sea" was started in 2054, but was only completed in 2062.
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Solomon Greene
post Jun 26 2007, 02:19 AM
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QUOTE (pbangarth)
QUOTE (Solomon Greene @ Jun 25 2007, 02:49 PM)
What purpose would a machine have in crafting music?  Why would an AI wish to create music at all?

And we can guess what form it would take - mathematically precise, deep in theory, dead in soul.

That's the way computers are now.

But what will happen when that "tipping point" is reached, and the intelligence in the machine changes and becomes self-aware? How do you know it won't develop something we would call a soul?

Isn't that what happened to our distant, animal ancestors? They hungered... then one day they yearned.

I simply cannot fathom machines developing the creative impulse in the same way we have. Call me simplistic or short-sighted, but I can't see machine intelligence, even self-aware machine intelligence, developing a desire for and need for music. It's a neat idea, but I just can't.. wrap my head around it.

When you have the capacity of storing nearly all music ever written, when you have a limitless mathematical understanding of the theory behind music, when you can analytically grasp music, what is there left to struggle with? At its base essence, isn't music struggle?

We have humans now who can play notes but never make music - I have a hard time seeing machines make that leap as well. Perhaps, in the end, that will be their true test of sentience - the creative spark that needs intuition and a "gut feeling" to survive.

The true test of an AI in the gut, not the mind? Interesting.
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Kagetenshi
post Jun 26 2007, 02:35 AM
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QUOTE (Solomon Greene @ Jun 25 2007, 09:19 PM)
I simply cannot fathom machines developing the creative impulse in the same way we have.  Call me simplistic or short-sighted, but I can't see machine intelligence, even self-aware machine intelligence, developing a desire for and need for music.  It's a neat idea, but I just can't.. wrap my head around it.

I will, thanks :) I… well, don't precisely understand, but I think I have a vague idea of where this idea comes from. It's still an argument from ignorance, though.

QUOTE
When you have the capacity of storing nearly all music ever written, when you have a limitless mathematical understanding of the theory behind music, when you can analytically grasp music, what is there left to struggle with?  At its base essence, isn't music struggle?

Is it? Really? And if it is, why can't we simply give that to the machine? Just as we can expand the capabilities of the machine, we can also limit them.

QUOTE
We have humans now who can play notes but never make music - I have a hard time seeing machines make that leap as well.  Perhaps, in the end, that will be their true test of sentience - the creative spark that needs intuition and a "gut feeling" to survive.

There's no evidence that the human brain is aught but Turing-complete, so the human brain, with all its creative drives and impulses, should be perfectly (except in execution speed) emulatable by any other Turing-complete machine+language.

~J
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Lindt
post Jun 26 2007, 02:51 AM
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QUOTE (Adarael)
The adventure was "Mercurial" (In Concert at Underworld 93). Never played it. Maria Mercurial was friends with the CD crew and was occasionally a guest musician for them.

I believe Shield Wall's "Mother of the Sea" was started in 2054, but was only completed in 2062.

Mucho gusto. It was years and years ago, so the details where fuzzy. But thanks for that info.
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Solomon Greene
post Jun 26 2007, 03:50 AM
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QUOTE (Kagetenshi)
[/QUOTE]
I will, thanks :) I… well, don't precisely understand, but I think I have a vague idea of where this idea comes from. It's still an argument from ignorance, though.

[QUOTE]

I think it comes from a desire to remain superior to my Xbox360. I may be small minded, but at least I'm honest.

Part of me desperately wants to believe that there are certain things, elements of the human spirit, machines will never be able to duplicate. Call it.. call it wretchedly holding on to superiority.

This, like all things, will pass. I, for one, welcome our new metal overlords. If Star Trek taught us one thing, it's that the metal man gets all the chicks.

Stupid vibrating sum'bitches.
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hyzmarca
post Jun 26 2007, 07:06 AM
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I can imagine a socially-polarized Sixth World in which there are only two types of music, Punk and Elevator.

There is no music within the Arcologies, only Muzak.


Of course, 80s hardcore Punk is the quintessential Shadowrun music. The inclusion of excessive amounts of gratuitous Punk can really help being an SR game back to its roots.

I also imagine that The Blues would be popular in the Shadows and the streets, considering all of the depressed f-ed-up people living there. I so have this image of a baddass Shadowrunner playing an electric blues guitar for the nine-tenths-naked elf nymphomanic who is chained to his radiator.
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Ravor
post Jun 26 2007, 07:12 AM
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You know hyzmarca, now I'm so going to have to use that image. :cyber:
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hyzmarca
post Jun 26 2007, 07:31 AM
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Ten karma if you can guess which best movie ever made I blatantly stole that image from. :D
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Kagetenshi
post Jun 26 2007, 08:48 AM
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QUOTE (Solomon Greene)
Part of me desperately wants to believe that there are certain things, elements of the human spirit, machines will never be able to duplicate. Call it.. call it wretchedly holding on to superiority.

Not impossible. All of our current evidence points the other way, but you never know.

~J
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Angelone
post Jun 26 2007, 10:17 AM
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QUOTE (hyzmarca)
Ten karma if you can guess which best movie ever made I blatantly stole that image from. :D

Black Snake Moan ;)
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Kyoto Kid
post Jun 26 2007, 10:13 PM
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...speed metal polka.
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hyzmarca
post Jun 26 2007, 10:28 PM
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QUOTE (Angelone)
QUOTE (hyzmarca @ Jun 26 2007, 12:31 AM)
Ten karma if you can guess which best movie ever made I blatantly stole that image from.  :D

Black Snake Moan ;)

10 karma and a cookie :cyber:

While having absolutely nothing to do with crime, magic, or high-tech futures, BSM could be an excellent Shadowrun movie.

How about Celtic folk music? It would probably be popular among the Tirs.
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Wounded Ronin
post Jun 26 2007, 11:02 PM
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I want a physad with Unarmed Combat (Riverdance). It could double as an artistic skill for centering! GM objections to using Rifles as a centering skill is one thing, but how could any GM possibly claim that Riverdance doesn't count as a centering skill? Besides, I think it's infinitely less lame to have a concentration in Riverdance than it is to have a concentration in Kick Attacks. What kind of mercenary is going to specialize in kick attacks, after all? Riverdancing, though...
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Kyoto Kid
post Jun 27 2007, 02:19 AM
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...and here I was considering using the Fish Slapping Dance as a centering skill, :silly: me...
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CountZero
post Jun 27 2007, 11:24 PM
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I've kind of figured a genre of music per edition (or so).

1st Edition) Hair Rock (Poison, Motley Crue, Etc.), Punk & Heavy Metal
2nd Edition) Grunge Rock (Nirvana, Alice In Chains), Punk & Thrash Metal
3rd Edition) Alternative, Punk, Rap (with the start of the "Orksploitation" craze)
4th Edition) Hip-Hop/Rap, Punk, Speed/Thrash Metal, Heavy Metal
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Lazarus
post Jun 28 2007, 05:41 AM
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QUOTE (pbangarth @ Jun 25 2007, 09:02 PM)
QUOTE (Solomon Greene @ Jun 25 2007, 02:49 PM)
What purpose would a machine have in crafting music?  Why would an AI wish to create music at all?

And we can guess what form it would take - mathematically precise, deep in theory, dead in soul.

That's the way computers are now.

But what will happen when that "tipping point" is reached, and the intelligence in the machine changes and becomes self-aware? How do you know it won't develop something we would call a soul?

Isn't that what happened to our distant, animal ancestors? They hungered... then one day they yearned.

Yeah they'd post it on the SR YouTube and it would look something like this:

http://www.youtube.com/watch?v=OTwRDJ_mWZE...related&search=

or Dear God something like this

http://www.youtube.com/watch?v=OqJekVzYk2o

But it probably wouldn't be like this:

http://www.youtube.com/watch?v=9uPlIaF65PM

Although an Ork might make something like that.
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Lazarus
post Jun 28 2007, 05:59 AM
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QUOTE (Kagetenshi)
QUOTE (Solomon Greene @ Jun 25 2007, 10:50 PM)
Part of me desperately wants to believe that there are certain things, elements of the human spirit, machines will never be able to duplicate.  Call it.. call it wretchedly holding on to superiority.

Not impossible. All of our current evidence points the other way, but you never know.

~J

Right. And smart people during the Enlightenment thought if you rammed enough electricity into a corpse it would come back to life.

Besides evidence on what could be I think I'll reserve my judgment until the first robot suffers existential angst over understanding his Dasein.

http://www.youtube.com/watch?v=ZQcUS4chhc4
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