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> movies with a shadowrun feel
Stumps
post Nov 24 2004, 08:40 PM
Post #201


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QUOTE (Doctor Funkenstein)
Weird. Ladykillers had everything. A great cast. Great characters. Great story. Great dialogue. Yet when I watched it, it was horrible... it was just off somehow and none of those great elements seemed to click together. I've never been able to put my finger on why, though.

But I'm glad you enjoyed it.

Well, completely side-stepping the concept that Tom Hanks is a bad actor.
The actual thing that made that movie "stale" feeling is something that most people don't notice in movies.
And it was two things in this case.

1) lack of music...believe it or not, that can kill a movie
2) cinematogarphy...long shots without much movement and the only thing happening was the dialog.

Point 2 happened a often back in the 50's erra of movies.
That's often why present audiances find those older ones boring. Today, even "still" shots are most times subtly moving slowly a little so that it doesn't appear stiff and boring.

Ladykillers was a screen play of talking heads. No real action in it. Kind of like Kevin Smith films. The problem here is that there was no "richness" to the colors used in the film and it didn't help that a lack of music and camera motion during long bouts of talking heads accompanied it.

There were some great moments in that movie, and I liked some of the things that the cinematogarpher did, but mostly it was pretty stale and just a visual requirement for the delivery of the dialogue.
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post Nov 25 2004, 02:00 AM
Post #202


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QUOTE
What about the Blues Brothers?

Contact in need.
Two runners put together a team of crack professional, umm, er, musicians...


The Rocker was an archetype in SR1!


Also, the jarring camera work made The Bourne Supremacy a bit annoying.
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Guest_Crimsondude 2.0_*
post Nov 25 2004, 02:02 AM
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That's like saying that a gaping head wound is a bit annoying.
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Arethusa
post Nov 25 2004, 02:36 AM
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I saw Supremacy in theaters twice. First time, friend of mine shows up already a bit late; we rush there, but alas: there are only three seats left. In the first row. If you've seen Supremacy, you already understand where this is going.

Suffice to say, I didn't enjoy that. The second time I saw it, I made sure we got there early and sat near the last row, and aside from a few moments of pretentious excess (fight with Jarda and Moscow car chase, specifically), I actually very much enjoyed the cinematography, but it's far too stylized for casual viewing. As for the film, it had problems, though I ultimately liked it.
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Guest_Crimsondude 2.0_*
post Nov 25 2004, 05:37 AM
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Actually, I thought it was apt in the fight with the other agent (I assume Jarda, I wasn't paying that much attention). But for the rest... Let me just quote something I wrote elsewhere:
QUOTE
the DP for Bourne... should be eviscerated Braveheart-style.
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Arethusa
post Nov 25 2004, 07:27 AM
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It wasn't the director of photography's fault. Paul Greengrass used the same technique in Bloody Sunday, and it's a pretty sure bet that the cinematography was entirely his call. And fault.

[ Spoiler ]
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Morgannah
post Nov 25 2004, 09:28 AM
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QUOTE (mintcar)
Has Equilibrium been mentioned? Gun Kata´s, come on! That´s shadowrun.

No one had .. and you beat me to it! Can we say "Megacorporate Enclave," kiddies? :)

Mmmmm, gun kata....
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Mercer
post Nov 25 2004, 09:38 AM
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Has Gymkata been mentioned? Because I'll throw that in there too.
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Austere Emancipa...
post Nov 25 2004, 09:52 AM
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This Gymkata? I just might have to hunt down a copy.
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Mercer
post Nov 25 2004, 10:09 AM
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Hell yeah.

Here's a good review of it. Number 6 on the list!
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Fortune
post Nov 25 2004, 10:10 AM
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That's the one. It's cool to watch, but just don't expect realistic fight scenes or high-quality cinema. :D
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Mercer
post Nov 25 2004, 11:44 AM
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Realistic fight scenes aren't that common anyway. When you think back over the great cinematic fight scenes, they don't really resemble real life violence. With good reason. I saw Hero a few months ago, and I kept thinking, "When did Chinese people learn to fly? Does our State Department know about this?"

As far as "realistic" fight scenes go, my personal favorite is They Live

Mad Dog and Glory had a couple of pretty good ones too, my fave is the one between David Caruso and Mike Starr, though the one between Bill Murray and Robert Deniro was also good, if only because its them.

So, Mad Dog and Glory and They Live, on the list.

Edit: I don't know if its been mentioned, but if we allow tv series in, I gotta put a big vote in for Venture Brothers. Anyone who hasn't seen that needs to.
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post Nov 25 2004, 11:54 AM
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It's the DP's job. I appreciate the Director being the last word, but the DP could have walked away if he had a shred of dignity.

They Live had a great fight as far as realism goes. Other than that, I saw one on TV the other day which was "realistic" to the extent that neither fighter knew what they were doing, and were complete and utter spazzes. But one good shot and it was all over.

There's another one I saw recently, but I can't recall. All I remember is that it was awkward, close-in, and over rather quickly.
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Mercer
post Nov 25 2004, 02:25 PM
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QUOTE (Crimsondude 2.0)
the DP could have walked away if he had a shred of dignity.

That seems unduly harsh for a number of reasons. For one, we're talking about the Bourne Supremacy, not a 15-hour documentary on Apartheid. Who wants to walk away from a paying job and a screen credit? One could argue that having your name attached to a bad movie is worse than the stigma of walking out on a picture, except that people who make bad movies tend to do so many times; proving once again that in Hollywood, it is not whether you succeed or fail, but only the magnitude of your sucess and failures.

Beyond that, who knows, maybe those guys are genuises. Perhaps in 20 years, or 40 years, thats simply what movies will look like, and we're just not brilliant enough to know it. In another part of this thread, people are complaining that The Ladykillers failed because it was too old-fashioned, perhaps the BS (what an apt abbr), is simply too modern for us.

Hitchcock did a film called Rope, which was shot as though it was one take. There are almost no cuts in the movie at all. Every ten minutes (the length of a film reel in those days), someone would cross in front of the camera or something to give the momentary blackout so they could switch reels. Someone doing that today would end up on IFC at 0230 on a Wed.
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Backgammon
post Nov 25 2004, 02:44 PM
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I saw Ghost in the Shell: Innocence last night in a theatre.

My. God.

Un-freakin-believable animation, and thoroughly enjoyable. I'm still in shock.
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Kagetenshi
post Nov 25 2004, 03:55 PM
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Of course, who could forget Versus?

~J
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Ol' Scratch
post Nov 25 2004, 04:32 PM
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<raises hand> But that's probably a voluntary forgetfulness. (Any zombie movie without even a little token nudity is not a good zombie movie, dammit!)
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Arethusa
post Nov 25 2004, 09:29 PM
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QUOTE (Kagetenshi)
Of course, who could forget Versus?

~J

Not me. No matter how hard I try.
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Mercer
post Nov 26 2004, 04:30 AM
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QUOTE (Doctor Funkenstein)
<raises hand> But that's probably a voluntary forgetfulness. (Any zombie movie without even a little token nudity is not a good zombie movie, dammit!)

I speaking from memory here, but I think Shaun of the Dead didn't have any nudity in it, and it is my pick for the best zombie movie since Romero made the category. Hell, it was comedy and it was a scarier zombie flick than the DoD remake or 28 Days Later. (Which, to my gamer mind, should technically be called "ghoul" movies. If its slow and wants to eat your brain, Zombie. If its fast and wants to eat your brain, "Ghoul". No brainer.)
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Ol' Scratch
post Nov 26 2004, 04:33 AM
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Shaun of the Dead gets special treatment 'cause it included a cricket bat and the use of L.P.s as weapons.
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PBTHHHHT
post Nov 26 2004, 06:27 AM
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QUOTE (Doctor Funkenstein)
Shaun of the Dead gets special treatment 'cause it included a cricket bat and the use of L.P.s as weapons.

I loved the scene where there were thumbing through the discs deciding on what to throw and keep. That and the part where they thought there was a drunk lady in the backyard. heh. Shaun's sidekick was a riot... maybe I should base a character off of him...
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DocMortand
post Nov 26 2004, 07:01 AM
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Shaun of the Dead, just in general, prodded serious buttock.

Just my two cents. Altho I think my fav scene is at the beginning when Shaun jumps in the game that the side kick is playing ("Player 2 has entered the game"), he's reminded of work, then you hear "Player 2 has left the game". Hehe.
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Dorian Flamekiss...
post Nov 26 2004, 10:01 AM
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Hello. This is my first post...well, ever. I glanced through the previous replies, and I am not sure, but I don't think anyone has metioned this movie yet. Called New Rose Hotel it stars Wilem Dafoe and Christopher Walken as two freelance corporate spies. It is a prime example how careful planning, good instincts and killer skills/talent can mean absolutely nothing when you trust the wrong person. It is also a cautionary tale of crossing the wrong Corp at the wrong time, the resulting consequences of said Corp's wrath, as well as one of the best examples of Coffin Hotels on film.
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nezumi
post Nov 26 2004, 05:45 PM
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New Rose Hotel is directly based off a Gibson story by the same name., FYI.
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Dorian Flamekiss...
post Nov 27 2004, 07:16 AM
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Good to know, thank you.
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