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> I need cyberpunk novels now., I've read Neuromancer and Snow Crash...
Ancient History
post Oct 12 2006, 02:51 AM
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QUOTE (RainOfSteel @ Oct 12 2006, 02:39 AM)
QUOTE (Ancient History)
Friday, while a decent novel, is most definately not cyberpunk.

Ah, but Friday was cyberpunk.

It contained most of the classic elements.

No, Friday was in all respects a typical straight science fiction story of the era. It lacked the cyberpunk attitude and style, no matter how many common (but far from universal) traits it may have shared. Contrast Bruce Sterling's Schismatrix with Larry Niven's Known Space, for an example.

There was nothing new introduced in cyberpunk - only a new method of looking at what had already been introduced in sci fi previously. Cyberpunk was ever a loose genre, and ideally you should restrict it to the output of certain authors during a certain period.
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Kagetenshi
post Oct 12 2006, 02:58 AM
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QUOTE (RainOfSteel @ Oct 11 2006, 09:50 PM)
QUOTE (Kagetenshi)
QUOTE (mfb @ Oct 11 2006, 06:47 PM)
Snow Crash

It's a very clever parody of cyberpunk, but way, way too heavy-handed about it.

You think it was a parody?

It was absolutely a parody. Cyberpunk has balkanization? Snow Crash is balkanized down to the neighborhood level. Cyberpunk has inflation? Snow Crash has, what, million-dollar values being thrown around on a daily basis. Life is cheap in cyberpunk? In Snow Crash, you risk your life to deliver pizza on time.

So on and soforth.

The problem is where cyberpunk is already a bit silly. Take monowire, for instance. Monowire you (or at least I) can squinch your eyes a little bit and take seriously, if only for a minute. Glass knives, while probably only a few orders of magnitude more silly than monowire (where silly is measured in newtons), go beyond that point and into the territory of the just-plain-crazy. So on and soforth.

~J
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RainOfSteel
post Oct 12 2006, 03:00 AM
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QUOTE (Ancient History)

QUOTE (RainOfSteel @ Oct 12 2006, 02:39 AM)

QUOTE (Ancient History)
Friday, while a decent novel, is most definately not cyberpunk.

Ah, but Friday was cyberpunk.

It contained most of the classic elements.

No, Friday was in all respects a typical straight science fiction story of the era. It lacked the cyberpunk attitude and style, [...]

I disagree.

While Friday may not qualify as what would later become classic cyberpunk due to atmospheric concerns, it's whole milieu is cyberpunkish, and I refer to it as quasi-cyberpunk.
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Kagetenshi
post Oct 12 2006, 03:02 AM
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I don't remember much in Friday that would qualify as "punk", or indeed in Heinlein's writing as a whole, but I do admit it's been at least six years since I read Friday.

~J
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RainOfSteel
post Oct 12 2006, 03:04 AM
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QUOTE (Kagetenshi)
QUOTE (RainOfSteel @ Oct 11 2006, 09:50 PM)

You think it was a parody?

It was absolutely a parody.

I wasn't disagreeing with you. I was opening my eyes to your viewpoint.

I tend to have a very limited capacity for parody, which may explain why I so unconsciously rejected the whole novel.
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Kagetenshi
post Oct 12 2006, 03:07 AM
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I was just excited because someone finally gave me the excuse to give the justification I should have given up front but didn't because something about doling information out in small chunks makes me feel warm and fuzzy inside.

Don't mind me :)

~J
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emo samurai
post Oct 12 2006, 03:10 AM
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Yeah, calling the main dude "Hiro Protagonist" and making him arbitrarily the greatest swordfighter was pushing it.
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RainOfSteel
post Oct 12 2006, 03:15 AM
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QUOTE (Kagetenshi)
I don't remember much in Friday that would qualify as "punk", or indeed in Heinlein's writing as a whole, but I do admit it's been at least six years since I read Friday.

~J

I've read Friday several times.
[ Spoiler ]
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Ancient History
post Oct 12 2006, 03:16 AM
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QUOTE (RainOfSteel @ Oct 12 2006, 03:00 AM)
QUOTE (Ancient History)

QUOTE (RainOfSteel @ Oct 12 2006, 02:39 AM)

QUOTE (Ancient History)
Friday, while a decent novel, is most definately not cyberpunk.

Ah, but Friday was cyberpunk.

It contained most of the classic elements.

No, Friday was in all respects a typical straight science fiction story of the era. It lacked the cyberpunk attitude and style, [...]

I disagree.

While Friday may not qualify as what would later become classic cyberpunk due to atmospheric concerns, it's whole milieu is cyberpunkish, and I refer to it as quasi-cyberpunk.

It's a false categorization. The milieu, in this case, is much less cyberpunk than (for an example) Brave New World, which at least has a classic dystopian atmosphere. There is no "street-awareness" in Friday; the main character is a nymphomaniac artificial super-spy who works for a fully-funded organization - and when that falls out she finds a job almost immediately. She never feels true desperation. I wouldn't discriminate against the novel on account of the space opera elements, but it also doesn't owe any sort of debt to previous cyberpunk or pre-cyberpunk (immediate pre-cyberpunk, like John Shirley) works.
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Slithery D
post Oct 12 2006, 03:26 AM
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QUOTE (RainOfSteel)
  • The Long Run ~ Daniel Keys Moran

This one needs to be second and thirded. Good luck with your used copy search online.
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Fortune
post Oct 12 2006, 03:26 AM
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Y'all are avoidin' the issue. I really wanna know 'bout them there 'elf-punk' books.
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Ancient History
post Oct 12 2006, 03:31 AM
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QUOTE (Fortune @ Oct 12 2006, 03:26 AM)
Y'all are avoidin' the issue. I really wanna know 'bout them there 'elf-punk' books.

Mercedes Lackey (with others), the SERRAted Edge/Diana Tregarde/Bedlam's Bard series. Also, if you can find it, the Bordertown anthologies edited by Terry Windling.
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RainOfSteel
post Oct 12 2006, 03:35 AM
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QUOTE (Ancient History)

It's a false categorization.

I do not feel it is.


QUOTE (Ancient History)

The milieu, in this case, is much less cyberpunk than (for an example) Brave New World, which at least has a classic dystopian atmosphere.

Friday's future-Earth was quite dystopian.


QUOTE (Ancient History)

There is no "street-awareness" in Friday;

There wasn't one in Voice of the Whirlwind, either. That's razor-hot cyberpunk to the core.


QUOTE (Ancient History)

the main character is a nymphomaniac

Hardly.

Why is it that women who are comfortable with sexuality and sex are labeled with derogatory names (invented by men)? (Yes, that is a rhetorical question.)

Men can have sex as much as they want and that's good (or "playboyish"), but if a women does the same thing, she's a "women of ill-repute". :sarcasm: :silly:

(Hint: This is one of the "Ms. Grundy" topics of modern anglo-saxon society Heinlein tossed into his novels in order to provide illumination for his readers.)


QUOTE (Ancient History)

artificial super-spy who works for a fully-funded organization - and when that falls out she finds a job almost immediately.

[ Spoiler ]



QUOTE (Ancient History)

She never wants for anything

[ Spoiler ]
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Ancient History
post Oct 12 2006, 03:38 AM
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QUOTE (RainOfSteel)
QUOTE (Ancient History)

It's a false categorization.

I do not feel it is.

Which is really the crux of the dilemma. As much as I like literary arguing, we've come full circle with our arguements, basically. Agree to disagree?
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Kagetenshi
post Oct 12 2006, 03:39 AM
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Friday's problem is not how much or little sex she has. Her problem is that she was written by Heinlein, which makes her a nymphomaniac.

~J
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Fortune
post Oct 12 2006, 03:42 AM
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QUOTE (Ancient History)
Mercedes Lackey (with others), the SERRAted Edge/Diana Tregarde/Bedlam's Bard series. Also, if you can find it, the Bordertown anthologies edited by Terry Windling.

Danke. :)
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Ancient History
post Oct 12 2006, 03:42 AM
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De nada.
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RainOfSteel
post Oct 12 2006, 03:43 AM
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QUOTE (Ancient History)

Which is really the crux of the dilemma. As much as I like literary arguing, we've come full circle with our arguements, basically. Agree to disagree?

We have reached that point. :cool:
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Glyph
post Oct 12 2006, 03:55 AM
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To me, the trouble with Snow Crash was that it took parody past the point of sly and to the point of ham-handed camp. He also seemed to be a wee bit too impressed with his own cleverness, and the obnoxious stereotypes didn't help, either. All told, it could have been a lot better.

By the way, if you check out Ghost in the Shell, the manga is way better than the movie.
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Kagetenshi
post Oct 12 2006, 04:02 AM
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The first manga collection is awesome. The second manga collection is kinda like watching a grand-master chess tournament, only you don't know chess and no one's explaining what's going on—there's obviously something happening, someone is making brilliant moves or errors, but damned if you can figure out who, what, when, or why. Oh, and this chess is totally fictional, too, so you can't even learn the rules.

Plus, Shirow is definitely giving in to his dream of being an H artist.

~J
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Deamon_Knight
post Oct 12 2006, 04:24 AM
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Nailed the Discription Kage. I always wanted to capture GitS SAC atmosphere in Shadowrun, but the complete ignorance the story keeps the viewer in, and the lengths it goes too, simply defy capture in a GAME, where PLAYERS want to know the BASIC RULES. Still, I think Gits:SAC and Full Metal Alchemist (which air about the same time in my area) would make great fodder for a campagin if I were only a bit smarter.
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emo samurai
post Oct 12 2006, 05:08 AM
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As for Snow Crash being a parody of cyberpunk as a whole, who does Hiro Protagonist make fun of? I know the general idea of "LOL HAXXOR AND KATANA WIELDER," but are there any instances of that cliche?
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mfb
post Oct 12 2006, 06:22 AM
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while it's certainly true that Snow Crash (and Diamond Age) used satire, i don't think it's fair to simply label them as just satire. it was also good, interesting science fiction whose basic premises actually make a lot more sense than anything William Gibson's ever put out. using sarcasm to make a point doesn't turn the whole thing into a comedy routine.
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Fyastarter
post Oct 12 2006, 08:20 AM
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I read snow crash, and some of the stuff in it would have seemed ridiculous if the writer wasn't as good i didn't read it thinking 'parody'. When you read it the first time it dosen't come across completely ridiculous, and he was only the greatest matrix swordsman, in the flesh he fucks up several times with his blade.

Oh and yeah and altered carbon etc is great stuff! Market forces should be read by everyone interested in cyberpunk. The genre isn't quite as narrow as a lot of people seem to want it to be. Any and all genres are just pigeonholes to put things in, lets face it if theres one thing everyone should pick up from cyberpunk its that things are rarely neat and tidy in a box on shelf. Things are never black and white, even on a monochrome cctv monitor playing through your imagelink.
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mfb
post Oct 12 2006, 08:45 AM
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QUOTE (Fortune)
Y'all are avoidin' the issue. I really wanna know 'bout them there 'elf-punk' books.

The Last Hot Time, John M. Ford.
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