The Fellini Manual appeared in the occult underground of London in 2014, and was quickly labelled as pornography by the authorities and knowledgable occultists. Named after the author, one Arturo Fellini (a nom de plume) and based loosely on the writings of Aleister Crowley, the Fellini Manual had only a very limited run, straight-to-optical-chip, a method well ahead of its time, especially for the book-loving magic crowd.
The content of the Manual was so atrocious, however, that in 2016 it was officially banned in Great Britain, possession of it being deemed a magical felony no matter the talents or intent of the individual. The Lord Protector's agents collected and destroyed most of the books, keeping one copy under lock and key, while a prominent Madame is thought to hold another, but approximately ten are in unknown locations. Rumor has it that very London occult societies, the Vatican's black library, and a few eccentrics are all interested in obtaining an original copy. Inferior copies have long circulated in the dim back corners of the Matrix, but today the Fellini Manual is considered more of an urban myth than an actual magical work, or at best an expensive pillow-book with an overblown reputation by those who have seen the inferior copies. Due to the age of the code and the security encryptions on it, these copies lack any useful magical information, although they may serve as inspiration for spells or rituals involving sex and magic.
Unlike most other magical texts it has a helpful index and search function.
The Manual is a mixture of text, diagrams, photographs, and video material, most of it being in the triple-X bracket. The author begins with a simple treatise (featuring multiple illustrations and six five-minute videos) on using various sexual techniques to center oneself while performing a magical act, such as summoning a spirit, casting a spell, or participating in ritual magic (for the hours-long rituals required by the latter, the author includes certain tantric exercises, a calisthenics regimen, and certain pharmeceutical aids).
Fellini then delves into the concept of the Scarlet Woman. Something of a misnomer, the Scarlet Woman in this case is an adept of any gender that is submissive to and dominated by a magician according to Fellini's instruction, as given in the manual. Through repeated degradation and abuse, the Scarlet Woman, who must willingly go along with the process, although Fellini gives certain drugs and practices that can make it easier, becomes a receptacle of power for the magician. Individuals may be surprised at the levels to which the domineering magician (called by Fellini "the magus") must go to properly defile the submissive, including tattooing, branding, implantation of foreign objects beneath the skin, piercing, and of course various sexual acts, some enhanced by magic.
The Fellini Manual describes the Scarlet Woman as a willing partner for ritual sex for purposes of Centering, whose inherent adept powers empower the magus as they cast their spell. Ideally, the Scarlet Woman possesses sufficient magical ability to join in the ritual and aid the magus further.
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In the immortal words of George Carlin, These are the sort of things that occur to me when I'm at home alone and the television is broken.)
