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To be frank, I'm a bit puzzled with Meiers' reaction over there.
Given that he brought us the Nadia, apparently ... well, the word we're looking for is "idiot".
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And this opinion doesn't (and shouldn't) carry over into their work. This is why we have a line developer
Not to disrespect wny of what you say, Bull, but that sentence makes my eyes bleed. But yes, it sums up perfectly what a Line Developer
should do, if not what Jason
does.
Suffice to say, the Line Dev's job should begin with choosing freelancers to contribute.
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Uhm, where is the inconsistency, again?
Read the dog totem's descriptions, think of the number of mwomen Twist ditches. Consider the number of pacifists who embed themselves with the US special forces. And that's not even beginning with the absolutly bizarre excuse for dumping Tsung for Hart (who, by the way, isn't quite a pacifist), or his willingness to sacrifice dozens of people to maybe cure his sister. Very pacifist thing, those human sacrifices.
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Now I want to get Artifacts Unbound even more, and I hope the reaction to the fact would be appropriate.
Did Meiers have any part in writing Artifacts Unbound?
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The second half is what is important to me: Important characters should die on occasion, because otherwise the story gets increasingly unbelievable.
Of coruse, killing off major characters too frequently, or illing the wrong major characters, isn't quite a good idea either. Take George R.R. Martin's Song of Ice and Fire as an example. This series is liek the most lethal fantasy novel, ever. There are more survivors in the 40K heresy novels than there. To the point where there just isn't any character left I care for. They're all either dead or so fucked up by the horrors they were put through I just shrug about them.
Shadowrun is going the same direction, only a lot less elaboratly planned (though admittedly at a faster pace than one book every seven years).
And seriously, Aina Dupree is more annoying than Nadia "luscious brown nipples" Daviar? Is there some reason behind that, or is this just a dismissive comment because you felt entitled to them?
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In the end, the only good reason that can be to write something is : "because it makes a good story".
And that's really not what I see happening at CGL.
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I should know, a good part of the work on Shadows of Europe was about deciding what we would simply ignore from the old France sourcebook.
And then came Attitude and not la terre Lakota de France is international canon, too (see Cree&Dido for details).